
A few weeks ago Jason Workman and I pulled the pin on a funded trip to the US scheduled for next year. Our practice has always included a critique of contemporary art and its development driven agenda. Several years ago we 'developed' the practice of free-dragging as a form of 'do-nothing' art. This morning I read this passage from Masanobu Fukuoka –
The more people do, the more society develops, the more problems arise. The increasing desolation of nature, the exhaustion of resources, the uneasiness and disintegration of the human spirit, all have been brought about by humanity's trying to accomplish something. Originally there was no reason to progress, and nothing that had to be done. We have come to the point at which there is no other way than to bring about a "movement" not to bring anything about. 1978 p159
I received an email from an artist last week advertising the 5 different shows that he was involved with this month. I have previously interviewed this artist for a column on ecological art practices and was made aware that his career development was superiorly more important than ecological crises.
Jason and I have spoken about our practice as 'no-practice', and that pulling the pin on flying to the US is contiguous with free-dragging; a practice of embracing hopelessness.
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