Showing posts with label creative commons. Show all posts
Showing posts with label creative commons. Show all posts

Walked-for 'free tucker' and walking 'knowledge is free'

Thursday, June 4, 2015

I wrote my doctorate paid for by public money, so (in memory of Aaron Swartz and in the spirit of Creative Commons), I make it available here free, to the public. I encourage all other scholars to do the same with their research, regardless of what copyright laws unethically demand otherwise. #knowledgeisfree.


Everything you've learnt is just provisional; it's always open to recantation or refutation or questioning. The same applies to society. — Aaron Swartz

Read more...

Wandering through the Universal Archive

Wednesday, February 20, 2013

A new chapbook of mostly Australian poetry, Wandering through the Universal Archive, has just appeared online curated by poet Fiona Hile. This anthology centres on collaboration and includes poets Michael Farrell, Oscar Schwartz, Amaranth Borsuk, Brad Bouse, Toby Fitch, Kate Middleton, Pam Brown, Maged Zaher, John Kinsella, Justin Clemens, Charles Bernstein, Richard Tuttle, Jessica Wilkinson, Simon Charles, Timothy Yu, Ken Bolton, John Jenkins, Marty Hiatt, Sam Langer, Astrid Lorange, Eddie Hopely, Nick Whittock, Tim Wright and myself.

What follows is an excerpt from Fiona's introduction concerning the work I contributed and my practice more broadly.

Somewhere in the middle of the Australian state of Victoria, the poet and artist, Patrick Jones, is painstakingly gathering and reorganising remnants and cast-offs. Artist as Family is just one permutation of an ethos of ‘permanent making’ that takes place under the rubric of what Jones has termed permapoesis and has included the design and installation of a public food forest for the Museum of Contemporary Art in Sydney. Broadly speaking, Jones’ poetic mode is one of epistemological intervention. It rebels against what it thinks of as the ‘neat technocratised rows’ of printed poetry in English just as it seeks to disrupt the agricultural categorisations that insist on the eradication of weeds. For Jones, weeds repair land damaged by farming and industry and prepare the ground for reafforestation. His construction of a comprehensive Daylesford Community Commons Map that pinpoints the location of off-the-grid edible fruits and plants foregrounds issues of inclusion and exclusion. Who gets to decide what or who belongs where and to whom? If a plant or a letter or a word is in the wrong place it is viewed as a ‘mishap’, or a disruption. To overcome this ‘the eye has to get out of the machine and walk … the text becomes something the eye has to forage for or through.’ The map and the two poems gathered here constitute ‘a refiguring or reclaiming of the geopoetical – poems of the earth.’ 
One of the two poems Cordite published as part of Fiona's chapbook is called Winter's pharmacopeia, and it goes something like this:


Read more...

Walking for Food – geopoetics

Tuesday, November 27, 2012

Over the last month, while ima Meg recuperates from long nights of breast feeding, Woody, Zero, (sometimes Zeph) and I, dada, have gone out walking every morning noting all the free public food in our local commons.


We and our thrown together clipboard have seen cold, windy, dry, warm and joyous mornings this spring and today, adding a few last finds, we finally got rain. Ah, the joys of being car free!

Patrick Jones – Creative Commons: Foraging Commons

Yes, the map is not the territory but it has been a useful project to see just how much food is available that is autonomous and not reliant on agriculture's heavy-footed resources and processes.


Over the past several years we have kept a mental note of certain trees and plants, but carrying out this exercise has made us even more aware of the autonomous floras – indigenous and newly naturalised – that are building mutual relations. It is common, for example, to see elderberries parking themselves under blackwood wattles on the fringes of town.


Blackwoods are themselves companion plants to eucalypts. Hawthorns, which are now habitat for ring-tail possums and their berries are a preferred food for gang gangs, proliferate in these new ecologies alongside blackberries and oaks and a host of other plants, longtime or newly naturalised.


I wonder if we, newly arrived creatures, are making or looking for such mutualistic relationships. It seems while we are still dependent on conventional farming practices we are still aliens of place, extractors and miners, not those that engage in the generative and relational.

Read more...

A Victorian country town says no to abusers

Tuesday, October 16, 2012



Much respect to this incredible community.


Read more...

We went to the garden of love

Saturday, September 24, 2011

Community gardeners, poets and readers met at the new community garden Rea Lands Park today to share poems and food in the sunshine.


Some of the poems were musical.


Some political and intense.


And some a little difficult to swallow but were appreciated as part of this creative commons.

Read more...

Talking the local

Sunday, September 11, 2011

My friend Fe grills me on my thoughts about food, relocalisation, democracy, the commons and community gardens.



A video by Fiona Porter, camera and editing by Anthony Petrucci, music by Souls on Board.

Read more...

Simulated poetics – beaming in from home

Saturday, July 23, 2011

I'm participating in a poetry event in NSW today from the low carbon comforts of my central Victorian home, courtesy of Skype.

Of course digital culture is fully supported by industrial technics, so I'm not pretending this participation isn't without its pollutions and abuses. And I'm only guessing that my decline to be flown/driven up to participate in person constitutes a lower footprint, in comparison to using all this technology (including a plasma screen at the event end) to beam me up.

Here's the poster that was produced for this gig, in which the Bundanon Trust designer has taken an excerpt from a statement I wrote in 2004 and laid it over a photograph taken by Heidrun Lohr.




My Fellow panel participants are Yvette Holt, Chris Mansell and James Stuart.

Read more...

A Free-dragging manifesto - FREE

Saturday, May 28, 2011

We have just made Words and Things, and my A Free-dragging Manifesto from How to do Words with Things (with Peter O'Mara) available for free download. More info can be found down the right hand column of this blog. Otherwise just click away.

Read more...

Creative commons, foraging commons

Monday, August 2, 2010

I was recently invited to submit a critical work for Cordite's issue 33: Creative Commons. Here's an excerpt from All Rights Relinquished, in which I outline my perception of the relationship between private property and ecological crises.

The reestablishment of local food commons in union with the development of a global creative commons comes from the recognition that we are biological beings, evolved from fungi – and thus evolved from complex networks of interrelation; webs of mycelial and intellectual connectivity not limited by private capital. The dominant ideology attacks the reciprocity of open, public supply networks. A public supply of resources, both conceptual and corporeal, is a decentred supply system that makes local communities more resilient [in the face of climate chaos and peaking oil supplies]. Read on.
Many thanks to David Prater and Matt Hall, Cordite editors. And many thanks to Ian Robertson who came up with the title, some years back, when we first used it in A Free-Dragging Manifesto.

Read more...

Newspaper by Ourblogtemplates.com 2008

Back to TOP