The human plates themselves are the seats of reciprocal and crossed interrelations among individuals and subgroups, their tools, their world-objects, and their knowledge, assemblages that little by little are losing their relations with place, locality, neighbourhood, proximity. Being-there is getting rarer. (Serres, 1995 p.20)
Video-sketch: Drawing, singing, yelling, thinking a slow text poem into being with hyper text inputs and world-as-everything mania, this video illustrates a fictional process of writing the first four stanzas of a new slow text mesostic, Step by Step, after the fact. The attempt with a slow text mesostic is to create silence out of industrialisation's hammering, thus utilising John Cage's mesostics as a chance-induced trigger for slow reading.
Maria and Erikka, our inaugural SWAPs – social warming artists and permaculturalists – have just left our home en route to another permaculture garden. Here's a snapshot of their great visit.
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Turning the compost is an obvious enough metaphor; artists do it all the time, cycling materials and concepts – peddling forward, foraging back. So I thought after a year and a half of generated content within this column it was time to do some chronological composting and see what sort of conceptual soil has been built as we move deeper into an era of ecological crises. Read on by clicking on image.
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