Poethics of food

Thursday, November 26, 2009

What are your ethics when it comes to food? Is there an honorable way to kill an animal, or does all meat eating rely on merciless acts of anthropocentric violence? Do you believe that both factory farms and traditional cultures' treatment of animals for meat production belong to the same dirty moral code? Where do you cross the line in terms of killing non-human nature? Is pulling a carrot out of the ground a better sort of violence, committed upon hundreds of microorganisms in the soil, than pulling a fish out of water? At what point does sentient non-human nature begin and end for you?

Earlier this week I left the following comment on a vegan blogsite whose authors moderate their comments. It thus far has not been published and therefore I wonder whether this discussion could take place elsewhere, such as here, now, with you?
hello,

i've been enjoying your blog and watching your transitions with great interest. i and my family are doing similar things here in central victoria. we do however have quite a different view when it comes to certain foods, which i wish to speak to here if i may.

i tend to take my lead from traditional communities when it comes to food, and i read every industrialised and transported carrot, synthetic consumable or rump steak as an abuse on the landbase and upon non-human nature.

growing our own food is probably the most beautifully loaded thing we can do. growing food while repairing the landbase is the most essential thing i've ever done. in our household we eat a little meat for protein and simple joy. it is always local. we occasionally catch redfin (english perch) out of the nearby lake. and whereas, i find fishing for recreation a pretty cruel endeavour, i don't when it comes to survival. i watch our chooks eat worms, fish remains or dead mice for protein and i tend to follow their lead as much as possible as they free-range over several neighbouring properties, living a life i cld only wish for in terms of carefreedom. we provide our chooks with shelter, warmth, love and protection from foxes. they in turn provide us with eggs, manure and joy. we are in a reciprocal relationship with them specific to a permaculture.

factory farms are a telling pathology of civilisation. living in some form of natural order alongside or directly with non-human nature is for me being led by nature, not human ideology or growth economics. this is why i supplement my diet with our eggs and a little local meat. ideally i wld like to get my protein just from roadkill, which attends to my relationship with anthropogenic waste. i do use roadkill in my compost as a starter, like a leaven.

i've never worked out why most vegans i meet see carnivores as having the same dirty moral code. it seems to speak out against one of the most sustainable human cultures ever to inhabit the earth – indigenous australians. their aquaculture, agricultures (yams in these parts) and hunting methods enabled an unprecedented permanent culture.

one of my great problems with western veganism is that it seems to come from an urban disembodiment. it seems to me like a mediation, rather than an ethic that is gleaned through active biomimicry.

these are a few of my thoughts thus far. your thoughts/ comments/ critique of them might prove to be a valuable discussion.

yours in congenial anarchism,

patrick

Read more...

Seed Ball (after Masanobu Fukuoka)

Wednesday, November 18, 2009









Read more...

WorkmanJones do nothing


A few weeks ago Jason Workman and I pulled the pin on a funded trip to the US scheduled for next year. Our practice has always included a critique of contemporary art and its development driven agenda. Several years ago we 'developed' the practice of free-dragging as a form of 'do-nothing' art. This morning I read this passage from Masanobu Fukuoka –

The more people do, the more society develops, the more problems arise. The increasing desolation of nature, the exhaustion of resources, the uneasiness and disintegration of the human spirit, all have been brought about by humanity's trying to accomplish something. Originally there was no reason to progress, and nothing that had to be done. We have come to the point at which there is no other way than to bring about a "movement" not to bring anything about. 1978 p159
I received an email from an artist last week advertising the 5 different shows that he was involved with this month. I have previously interviewed this artist for a column on ecological art practices and was made aware that his career development was superiorly more important than ecological crises.

Jason and I have spoken about our practice as 'no-practice', and that pulling the pin on flying to the US is contiguous with free-dragging; a practice of embracing hopelessness.

Read more...

Anarchist Syndicate (with Broad Beans)

Saturday, November 14, 2009





















For a full report on our garden under early-heat-wave duress as well as a new recipe, read my Garden Notes for Relocalisation.

Read more...

After reading ecopoetics 6/7 and coming home

Saturday, October 31, 2009








Read more...

Greenwash #6 in Trouble





















Albatross chick photographed by Chris Jordan.

If you’ve read this column before you will know that I have more than a passing interest in anthropogenic waste – pollution caused by human activity. Is there any other? There are of course nasty toxins and poisons found readily in natural systems but none that systematically diminishes the health of ecosystems and impoverishes food and water supplies like our non-compostable waste.

Read on here.


Read more...

Slow-text as food forest

Monday, October 26, 2009



















detail: Jones, P. ‘A Free-dragging Manifesto’, pp. 41-43, ecopoetics, no. 6/7 2006-2009, Australian Ecopoetics Feature, eds. Michael Farrell and Jonathan Skinner, Periplum Editions, USA

Read more...

Under the lens of the bottle green sea

Friday, October 16, 2009

This TED talk is brilliant! An exposé of the health of the world's oceans.

Read more...

Michel Deguy Compost Tea

Monday, October 12, 2009

We're back from our waste gleaning residence in Newcastle, NSW. Our final post on the Artist as Family blog includes a short creative doco called 17 Days that I made using my track "Michel Duguy Compost Tea" where I sing Deguy's poem "O great apposition of the world" rockoperaesque with beats. You can see/hear here –

Read more...

Greenwash #5 in Trouble

Friday, October 2, 2009

While it’s true that Western culture is the sum of its many, varied parts, the dominant paradigm can be packed into two obsessions – privatising resources (natural, human and creative) and killing off wild nature in case it takes us over. René Descartes (1596-1650) is responsible for articulating this paradigm; our refusal to live at peace with non-human nature continues the Judeo-Christian resolve of separateness and avoidance. ‘I think therefore I am’ is the Cartesian maxim (and early secular transition from God as centre to man as centre) that, for many, justifies our ecological abandonment and gives philosophical weight to the stupid idea of our superiority over all other things.
Read on here.

In the meantime our project centred on gleaning waste continues over here.

Read more...

Global Ecological Crisis

Tuesday, September 29, 2009

Reading The Australian newspaper is normally a very distressing thing for me – the underweight ballerinas/models, the overweight businessmen/politicians, a Cartesian smorgasbord for privatised relations of avoidance – so I generally leave it alone. However I've been privy to free copies over coffee these past few mornings and so was again inclined to dip in. The more fool I.

This is the letter to the editor I wrote out of G20-despair.

Michael Stutchbury's anthropogenic economics, as displayed in 'Earning seat at the table' (Opinion, 29 September), again ignores the relationship between global growth capitalism and the rapidly unfolding Global Ecological Crisis (GEC). Stutchbury champions an economics that is a short-term abstraction – our standard of living has peaked in correlation with global oil supplies – climate change and energy descent will shortly reveal why his favoured economics is a nonsense and how it is at the root of the GEC. An economics based upon a cyclical, reciprocal system is what we need to move quickly towards. To continue to herald a broken-cycle system which will make the Earth uninhabitable is sheer idiocy.
But I'm not waiting around for The Australian to publish such views, it feels like many years off, if ever. In the meantime here's where our gleaning waste as family holiday project has gotten us so far.

Read more...

Anthropogenic fruits

Saturday, September 26, 2009

Otherwise known as pop-fascism.


























































From our project over here.

Read more...

Rain on my brain

Tuesday, September 22, 2009

It has been really wet here. I like to think Josh, Ziggy and I had something to do with it. We went into the bush a few days ago and Rain Dance is what we came out with. I guess you'd call this a Peej video clip, but shaking off the stiffness of late winter without spending a dollar is a more accurate description. I'm off to Newcastle tomorrow as one-third of the Artist as Family trio. You can follow our movements by clicking on the AAF link. This music vid is a timely loosen up for a warmer climate – Newcastle NSW, and more generally the planet – a low-carbon, non-specialised, free idiocy. Enjoy!



Thanks to Josh and Ziggy for their added flavour – I set out to do this solo and bumped into Josh beforehand. You can't beat chance! And thanks to Meg for her editing suggestions and general critical eye for loose m'goose activity. You can't beat critique, love and support!

Read more...

Cartesian Wells

Saturday, September 19, 2009

The first online site I created was justfreewater, a site dedicated to platforming the woes of bottled water. In the past three years since I began that site I have enjoyed watching greater public awareness and a broader debate around bottled water. During this time I have spent many hours putting together a comprehensive picture of our local situation while concurrently finding out more about the global pattern of privatising this fundamental public resource. My film Lalgambook (Mt Franklin) attempts to communicate, via poetical terrorism rather than journalistic rationalism, the link between the occupation of Aboriginal land and genocide of Aboriginal people in the nineteenth century and the occupation of public water and ecocidal practices of the bottled water industry today in the same region, which I call home. 


Over the years friends have sent me links, newspaper articles and their own ideas for ethical modes for drinking water that don't pollute the landbase or capitalise upon that which should be a free and public resource. 

As we have become increasingly a culture of destructive Cartesians it has become difficult to see, surrounded by our affluence, that anthropocentrism is central to our undoing as a species. While growth economics and corporate greed predominate in capitalised marriage, the vacuuming of our artesian wells (groundwater) will continue to play a significant part of the pathological dowry. 

For a concise snapshot of the bottled water crisis, which dovetails emblematically into the wider Global Ecological Crisis (GEC), watch this trailer.



Read more...

Unexpected turn with microbials

Monday, September 14, 2009

WorkmanJones' latest offering.


Read more...

A return to free-dragging

Thursday, September 10, 2009

I have just returned from a poetics symposium at UWS organised by Kate Fagan and chaired by Ivor Indyk. Some of the things discussed involved language, translation, identity, form and ecology by poets and academics – Ann Vickery, Philip Mead, Pam Brown, Stephen Muecke, Martin Harrison, Anna Gibbs, John Hawke and Peter Minter, to name a few. And at the end of the symposium a number of us read including Tom Lee, Fiona Wright, Jill Jones and Michael Farrell. I read A Free-dragging Manifesto for the first time this year and, for the first time, as a 'fast text'. The work is about to be published in US journal ecopoetics in its original 'slow text' form. In the meantime you can read a fast text version here.

My book, A Free-dragging Manifesto, can be purchased from this site. Just scroll down the right hand side column and find the details. In case you've missed the many plugs of this two-sided book on my various sites... Peter O'Mara's brilliant volume of spatial poetry, subtext, is published on the reverse side and we share the overall title How To Do Words With Things. Read Astrid Lorange's review in Jacket.

Read more...

Regenerating Community

Friday, September 4, 2009

I gave my Processes of Circularity: Permapoesis and the Shed of Interrelation presentation today as part of the panel Understanding the Value of Arts in Communities at the ReGenerating Community conference, RMIT. My participation was joined by both Ian Cuming's and Victoria Stead's presentations, and there was much biodiversity in our thoughts and activities. My work begins using pragmatic language and ends up as a poem, a transgressional device I have been working on to shift language from the 'rational' to the poethical. It starts:

By the time crude oil was discovered early on in the twentieth century the major socio-political forces – capitalism, communism and the third option fascism – were busily competing for attention and power. Sadly, not one of these three systems offered human societies an ecological model and we have paid dearly for this grand omission ever since.
You can read the entire work here.

Read more...

A language older than words



Read more...

Greenwash #4 in Trouble

Tuesday, September 1, 2009

Glen Dunn recently made a short film about a kiln firing in Southern Tasmania, posted it online and found an unexpected viral enthusiasm for it around the globe. The film’s fusing of the ancient and the modern, the physical and the digital, taps into some of our most basic inclinations to form meaning of the present with things and activities that are common to the past. Things such as clay and wood and fire.


Read on here.

Read more...

Notes for a manifesto on free-dying

Sunday, August 30, 2009


Read more...

Newspaper by Ourblogtemplates.com 2008

Back to TOP